Djuna Barnes documents:This collection is available to the general public and is employed when you look at the Collections reading that is special room

Djuna Barnes documents:This collection is available to the general public and is employed when you look at the Collections reading that is special room

Utilize and Use Of Collection

Researchers must register and consent to privacy and copyright rules before by using this collection.

As a result of condition associated with collection, users will access the microfilm surrogate for Series I-IV. Authorization to look at the initial documents must be submitted to Special Collections and University Archives prior to your check out. Initial pieces of art in Series VIII are delicate consequently they are consulted only by visit.

Duplication and Copyright Information

Photocopies or electronic surrogates may be supplied relative to Special Collections and University Archives replication policy.

Copyright resides with all the creators associated with papers or their heirs unless otherwise specified. It’s the researcher’s duty to secure authorization to write materials through the copyright holder that is appropriate.

Inquiries about authorization to write the works of Djuna Barnes should always be directed towards the Authors League Fund, 155 Water Street, #206, Brooklyn, NY 11201 Tel: 212-268-1208, Fax: 212-564-5363 e-mail:

Archival materials may include materials with sensitive and painful or private information that is protected under federal and/or state right to privacy regulations or other regulations. Some may be missed during our processing while we make a good faith effort to identify and remove such materials. In cases where a researcher finds sensitive and painful private information in a collection, please carry it towards the attention of this reading space staff.

102.00 Linear Feet

Additional Description

Scope and Information of Collection

Noted journalist and avant-garde writer Djuna Barnes was created in Cornwall-on-Hudson, nyc, on June 12, 1892, the second son or daughter and just child of Wald and Elizabeth Chappell Barnes. Barnes learned art in the Pratt Institute (1912-1913) and also at the creative Art scholar’s League of the latest York (1915-1916).

The New York Press , and the New York Sun , among other publications in 1913, she began working as a freelance journalist and illustrator for the Brooklyn Daily Eagle and was soon writing and illustrating features and interviews for the New York Morning Telegraph. In those times, she became active in the bohemian milieu that is artistic of Village. She composed poetry ( The Book of Repulsive Women , posted in 1915) and lots of quick performs (“Three From the planet earth,”? “Kurzy associated with water,” and “An Irish Triangle”), that have been made by the Provincetown Players in 1919 and 1920.

In 1921, Barnes travelled to European countries, then invested the vast majority of the second two decades in England and France. She had written features and interviews for Vanity Fair , McCall’s , Charm , and Smart Set , a typical column for Theatre Guild Magazine , and poems and tales for literary mags such as for instance Dial , change , and Transatlantic Review . Her book-length writings in this period include an accumulation of her quick tales, plays, and poems, A Book (1923) , that was revised and republished in 1929 as every night one of the Horses , the satirical Ladies Almanack (1928), and two novels, Ryder (1928) and Nightwood (1936). Regarded by most critics as her masterpiece, custom writings us com Nightwood ended up being affected by Barnes’s event with Thelma Wood. The novel had been written underneath the patronage of Peggy Guggenheim and championed by T. S. Eliot, Barnes’s editor at Faber and Faber.

In 1939, Barnes returned to the United States, and, in September 1940, she moved into an apartment at 5 Patchin Place in Greenwich Village, where she res >The Antiphon (1958), which was produced in Sweden in 1961 in a version co-translated by United Nations’ secretary Dag Hammarskjold october. Another assortment of her brief stories, Spillway , ended up being posted in 1962, the entire year by which Selected Works ( Spillway , The Antiphon , and Nightwood ), showed up. Throughout the 1960s and 1970s, Barnes additionally composed poetry that is much though little ended up being posted. Her last work had been the verse menagerie Creatures in a Alphabet (1982). Barnes passed away in new york on 18, 1982, at the age of ninety june.


Custodial History and Acquisition Information

Location and existence of Copies

Associated Material

Materials associated with the Papers of Djuna Barnes held Special Collections consist of the Barnes Family Papers, the Papers of Saxon Barnes, the Papers of Elsa von Freytag-Loringhoven, the Papers of James Stern, the Irwin Cohen Collection, the Papers of Phillip Herring, the Chester Page Collection, the Papers of Andrew Field, while the Papers of Frances McCullough. an uniqure recording of barnes reading from The Antiphon , produced by Chester web web web Page in April 1971and acquired aided by the McCullough documents, is present at Crucial communication of Barnes with Emily Coleman is within the Emily Holmes Coleman Papers in the University of Delaware Library, Newark, Delaware.

The Rare Books Department has curatorial obligation for the part of Barnes’s individual collection that was obtained along with her documents. The Barnes’s collection contains over 1100 games and it is available through the University of Maryland Libraries’ online catalog. Please see the description in Series 9: Library to find out more.

Processing Information

The Barnes papers have been processed numerous times in largely piecemeal fashion since its acquisition by the University of Maryland. When you look at the springtime of 1996, most of the collection except the photographs and art underwent major reprocessing. This work included developing a series that is new of and individual documents and merging the 2 alphabetical runs of communication. Materials previously into the “Typescripts, web page proofs, scripts,” “Publications,” and “Appendix B: Laminated Papers” had been brought together right into a single “Writings” series. Other work included integrating the addenda that is unprocessed of collection (previously “Appendix A”) into current show and combining the “Clippings,” “Pamphlets,” and far associated with “Miscellaneous” series into an individual “Printed Matter” series. In Fall 1996, a brand new show, “Serial Publications,” was made. “Book Catalogs” formerly positioned beneath the “Printed Matter” series were relocated into “Serial magazines.”

In 1998, the rest of unprocessed things were incorporated into the collection. Additionally, the art and photograph appendices had been converted to show and renumbered and rearranged as necessary. Part VI, Cards, and Section VII, Printing Blocks, had been put into the art show. The Barnes pen and ink drawings donated in 1997 had been additionally integrated in to the art show. In November 2000, products obtained from the dealer had been integrated into the collection.

In July 2001, preparations to microfilm the very first four number of the collection began, including some reprocessing. Significant time had been specialized in dating materials that are previously undated reorganizing the materials appropriately. In Series II, Correspondence, there was clearly a file that is general each page for the alphabet that contained communication from numerous indiv >Djuna Barnes: A Bibliography (Rhinebeck, N.Y.: D. Lewis, 1975).

The arrangement of Series IV, Printed thing, ended up being discarded only at that time; “On Barnes” became “About Barnes”; “On Barnes’s Writings” has become titled “About Barnes’s Writings”; and “On Others” and “Other” were combined to create “Collected by Barnes.” Things within six for the eight “miscellaneous” files had been grouped together under headings, such as for example guide reviews and wellness, and arranged alphabetically under “Collected by Barnes.” In addition, English translations of articles had been reunited along with their spanish originals.

An endeavor had been designed to bring some purchase to Barnes’s poetry. When feasible, materials within each folder had been put into chronological purchase, and fragments based in “Poems, Fragments” that have been maybe maybe not poetry-related had been moved to “Notes, Miscellaneous fragments.” Many significantly, the poems in “Early Poems” had been partioned into specific folder by title and incorporated into the schema that is alphabetical of show.

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